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[InetBib] IF Veranstaltung From Wunderkammer to e-Resource
- Date: Fri, 12 Apr 2013 09:58:04 +0200
- From: Petra Zimmermann <pzim@xxxxxx>
- Subject: [InetBib] IF Veranstaltung From Wunderkammer to e-Resource
liebe Kolleginnen und Kollegen,
ausnahmsweise finden Sie hier einmal das ausfuehrliche Programm fuer
eine Veranstaltung der Initiative Fortbildung im Juni in Berlin.
Bitte melden Sie sich bei Interesse direkt bei Frau Evelin Morgenstern an.
morgenstern@xxxxxxxxxxxxxxxxxxxxxxxx
mit freundlichen Gruessen
petra zimmermann
*From Wunderkammer to e-Resource:*
*Promoting Art Information Across Borders in the 21st Century*
Berlin, June 13 and 14, 2013
**
Vortragssaal des**Kunstgewerbemuseums, Matthäikirchplatz 4/6, 10785 Berlin
(Zugang über die zentrale Eingangshalle Kulturforum)
Introduction
It has been my distinct pleasure to work with Evelin Morgenstern, Acting
Director of the Initiative Fortbildung für wissenschaftliche
Spezialbibliotheken und verwandte Einrichtungen e.V., to develop the
agenda for this colloquium, which addresses issues that increasingly
have no geographic or linguistic boundaries. The internet has made
communication infinitely easier, but at the same time, technology and
social networking -- along with the patron demands that come with them
-- are outpacing the capacity of traditional library systems and budgets
to support them. Above all, the pace of change in scholarly
communication and research over the past few years has accentuated the
need for deep collaboration in order to move forward in a sustainable
way. The speakers at this colloquium are esteemed col-leagues and
leaders in forging new relationships that will be required to build
innovative solutions totoday's challenges. Joint digital initiatives,
shared system platforms, new models of outreach, and crowdsourcing are
some of the topics of critical interest to librarians that will be
addressed over these two days. The intention of this colloquium is for
participants to not only gain new insight and creative guidance for
working collaboratively, but to participate in conversations that will
serve as catalysts for collaborative projects between American and
German art and museum libraries. I wish to thank the Arbeitsgemeinschaft
der Kunst- und Museumsbibliotheken (AKMB), Bibliothek & Information
(BI-International), Checkpoint Charlie Stiftung and the Initiative
Fortbildung für wissenschaftliche Spezialbibliotheken und verwandte
Einrichtungen e.V. for making the colloquium possible. I am deeply
honored to participate in this event, which has been organized in
association with my receiving the 2013 John Jacob Astor Award in
Libraryand Information Science from the Checkpoint Charlie Foundation
(*/Deborah Kempe/*).
*Program*
*__*
*_June 13, 2013_*
__
10:00 a.m.
Welcome by */Professor Dr. Moritz Wullen/*, Director of the
Kunstbibliothek -- Stiftung Preußischer Kulturbesitz und */Dr. Joachim
Brand/*, Deputy, including a presentation of the "new" Kunstbibliothek
10:45 a.m.
Reaching Out to Gather in: Promoting Art Research in the Twenty-First
Century (*/Milan R. Hughston/*, Chief of Library and Museum Archives,
The Museum of Modern Art, New York
/Milan Hughston will discuss the various ways that the MoMA Library and
Archives reaches beyond its traditional constituencies and physical
spaces to engage new audiences. He will focus on activities made
possible by the Museum's expansion in the early/mid 2000s in addition to
advances in technology that expand the parameters of its
patrons. Topics include use of library/archives as social spaces,
artists in residence programs, leadership in artists' books conferences,
and publications/social media. He will also describe the benefits
of////consortial marketing action through activities of the New York Art
Resources Consortium////[NYARC]. /
//
11:30 a.m.
A different animal? Marketing for museum libraries at the time of
scarcity (*/Dr. Stefan Brandt, /*Geschäftsführer, Hamburger Kunsthalle)
/While the necessity for museum marketing has been recognized by museum
directors since decades, the marketing needs of museum libraries are
typically not on top of the priority list. Under the pressure of
declining public contributions in Germany, the activities of museum
management are mostly limited to the aim of maintaining a budget that
allows keeping the museum libraries open at all.. The presentation will
focus on options for outreach activities of museum libraries despite
lack of finances. In addition, approaches for museum management to
support the libraries and maximize their impact will be discussed. /
12:30 p.m.
//
/Lunch break /
1:30 p.m.
Lights, Camera, Action: Collaborative Digitization Projects at the Frick
Art Reference Library (*/Dr./**/Stephen J. Bury/*, Andrew W. Mellon
Chief Librarian, Frick Art Reference Library, New York)
/The digitization strategy of the Frick Art Reference Library is not one
of mass digitization of the whole collection. This is largely for
copyright reasons but also because of the disruption to public service
that this would cause. Instead it has embarked on a series of niche
projects that offer high-quality small-scale collaborative projects that
add to the scholarly corpus of art history. These have included
partnerships with NYARC partner Brooklyn Museum Library (Gilded Age I &
II), with the Metropolitan Museum of Art Library (Knoedler, Macbeth,
Auction Results), and with Long Island University/Hearst Archive (Gilded
Age III). There is also a proposed international collaboration to
digitize major American and European photo-archives, whilst the Archives
have taken part in a virtual re-unification project with the University
of Pittsburgh of the Andrew Carnegie -- Henry Clay Frick correspondence.
We////have also worked with commercial organizations (e.g. Brill) in a
public-private partnership to provide digital images of auction catalogs
for ASCO (Art Sales Catalogues Online). There are upsides and downsides
to collaboration and this paper will address these issues./
//
2:15 p.m.
Cultural Heritage Online. Digitization Projects at Heidelberg University
Library (*/Alexandra Büttner M.A./*/,/Universitätsbibliothek Heidelberg)
/Over the past years Heidelberg University Library has acquired a
comprehensive expertise and knowledge in the field of digitization.
Through various national and international projects Heidelberg
University Library has strived to secure and unite cultural assets, and
to provide researchers from all around the world a free and systematic
access to these new online sources. The field of digitization ranges
from medieval manuscripts, art- and satirical journals, art historical
primary sources, to auction catalogues. The presentation will focus on
some of the key digitization projects at Heidelberg University Library
as well as collaborative and networking aspects./
3:15 p.m.
/Coffee break/
//
3:45 p.m.
Collaboration: connecting collections and people (*/Deirdre Lawrence/*,
Principal Librarian, Libraries and Archives, Brooklyn Museum of Art)
/This presentation will focus on the keys of successful collaboration
based on experiences with several New York library collaborations
including the Art Museum Library Consortium which led to the development
of the New York Art Resources Consortium (NYARC) and an ongoing
collaboration with Pratt Institute's School of Library & Information
Studies that has involved students working at the Brooklyn Museum,
Brooklyn Historical Society and the Brooklyn Public Library and the
NYARC libraries. This presentation will also cover ongoing local
discussions with the NYC7 Group with a goal to develop programs of
mutual interest including digitization and collection development. The
presentation will focus on the development and sustainability issues of
collaborations between these libraries and will feature images of
collections that have been made more accessible through these various
collaborations./
//
4:30 p.m.
Integrative cooperative art search from the Middle Ages up to the
present: arthistoricum.net, the Virtual Library for Art (*/Dr. Katja
Leiskau/*, Sächsische Landesbibliothek -- Staats- und
Universitätsbibliothek Dresden and */Laura Held/*, Head of the Library,
Kunst- undAusstellungshalle der Bundesrepublik Deutschland, Bonn)
/In January 2012, the previously independent online resources of the two
German Special Interest Collections for Art joined together, forming the
new *Virtual Library for Art*//- *arthistoricum.net.*//The new
offer**//pools the resources and know-how of the responsible partner
institutions Heidelberg University Library (UB Heidelberg) and the Saxon
State and University Library (SLUB Dresden), thus making this portal an
essential forum for research and teaching. arthistoricum.net is
presented in cooperation with the //Art History Department of the Ludwig
Maximilian University Munich (LMU)
<http://www.kunstgeschichte.uni-muenchen.de/ifk/lehrstuehle/lehrst_kohle/index.html>//(Prof.
Dr. Hubertus Kohle) as well as with //other partners
<http://www.arthistoricum.net/en/partner/>//. /
/A thorough and comprehensive overview of art historical publications
and data sources is the goal of arthistoricum.net, and builds the core
of its new //search <http://www.arthistoricum.net/en/search/>//function.
arthistoricum.net facilitates internet-based open access academic work
and publishing. Contents going beyond bibliographic resources are also
available. Individual researchers and working groups are invited to
present their results of research on arthistoricum.net and//enhance
their public visibility.///
/In March 2013 the internet presence of the AKMB, the German ARLIS,
became totally part of the arthistoricum.net community. Another target
that opens a lot of possibilities for further collaborations in the
field of virtual art library performance and art-related research./
//
//
5:30 p.m.
End of the first day
__
*_June 14, 2013_*
__
10:00 a.m.
eBooks, ePanofsky and eNYPL: an overview of ebook policy and ebook
acquisition at the New York Public Library, past and present (*/Clayton
C./**/Kirking/*, Chief,*//*Art Information Resources, NYPL)
/The review will examine the branch/circulating system as well as NYPL's
four research centers. Particular emphasis will be placed on the
application of ebook/digital technology in the discipline of art history
and the studio arts.
/
10:45 a.m.
Different Types of E-Book Acquisition -- from Patron-Driven Acquisition
to Consortium and National Licensing Models at German Academic Libraries
(*/Dr. Michaela Hammerl/*, Zeitschriften und elektronische Medien,
Bayerische Staatsbibliothek)
/This presentation will give an overview of current e-book acquisition
models practiced in Germany. It will focus on how patron-driven
acquisition was established at several German academic libraries.
Furthermore, diverse types of consortia and national licensing programs
will be introduced. Finally, an outlook of ongoing strategies by the
German Research Foundation (DFG) will be provided./
//
11:45 a.m.
/Coffee break/
//
12:15 p.m.
"Oops, Seite nicht gefunden": Collection Building in the Digital World
(*/Lily Pregill/*, NYARC Project Coordinator & Systems Manager, Frick
Art Reference Library, New York)
/Art research materials that have historically been collected by museum
libraries -- including catalog raisonnés, auction catalogs, and artists'
books -- are increasingly being published digitally. In 2012, the New
York Art Resources Consortium received an Andrew W. Mellon grant to
explore developing a web archiving program to collect born digital art
research materials, focusing on publication trends, the technical
landscape, and workflow scenarios. Lily Pregill will present the
outcomes of this investigation and discuss the challenges and
opportunities that libraries face in managing hybrid print and digital
collections./
1:00 p.m.
Digital Divides, Digital Commonalities: Teaching Art History
Internationally (*/Prof. Dr. Robin Schuldenfrei/*, Assistant Professor,
Institute of Art and Visual History, Humboldt-University zu Berlin)
/From the perspective of an American academic presently working in a
German university, Robin Schuldenfrei will address changing media and
resources to consider their ramifications for teaching art history
students today. She will consider present initiatives at the Humboldt,
including the major new Cluster of Excellence project "Image Knowledge
Gestaltung. An Interdisciplinary Laboratory"
(//http://www.interdisciplinary-laboratory.hu-berlin.de/en//)./
1:45 p.m.
Crowdsourcing: Cooperation on the Internet (*/Prof. Dr. Hubertus
Kohle/*, Institut für Kunstgeschichte der Ludwig-Maximilians-Universität
München)
/Asking for the "wisdom of crowds" (James Surowiecki) by crowdsourced
collaboration on the Internet represents a paradigm shift in data
acquisition, the consequences of which we do not yet understand.
Hubertus Kohle will present some of the opportunities and challenges by
taking a look at the project ARTigo (www.artigo.org
<http://www.artigo.org>): Within three years, there were gathered almost
10,000,00 taggings describing works of art. He will try to demonstrate
the far-reaching consequences of such social tagging projects for data
and tagger evaluation and also address the delicate relationship between
expert and layman culture in this regard. /
2:30 p.m.
Wrap up and discussion
3:00 p.m. (approx.)
End of Colloquium
--
Z K M Karlsruhe
H f G Hochschul- und Museumsbibliothek Z K M
Petra Zimmermann, Dipl.Bibl., Leiterin der Bibliothek
Lorenzstr. 19, 76135 Karlsruhe
Fon: +49 721 8100 1705, Fax: +49 721 8100 1709
E-mail: pzim@xxxxxx, Skype: pzim-zkm-bib
--
http://www.inetbib.de
Listeninformationen unter http://www.inetbib.de.